“Daybreak pt 2″
And that’s that. Five years of sifting through false mythology and conflicting prophecies and in the end, we find out this was the lost episode of “Touched By An Angel.” Jeez.
It was no surprise to me that the series finale would strike me as much of the show did over its run as a mixed bag, some plot holes and slick FX and tiresome relationships made tolerable by fine acting.
The first half of the final episode brought the rain, the Galactica’s final mission to rescue Hera It was as well executed action scene as you’re going to get from a televised Sci-Fi series. The second, after the climax, was pretty damned tedious. Starbuck lived out her usefulness fulfilled her prophecized role and “lead the human race to its end,” the end meaning not death but the end of their journey. She found Earth . . . another Earth, our Earth, where humans have just learned to walk upright and bury their dead.
Okay, great! They found a new home. Then we’ll have a little catching up with them, perhaps a death scene for Roslin and then we all go home. Right? Noooooo. More flashbacks, more two shots of people talking to each other and not saying a lot. The last remnants of the colonies turns Luddite in some effort to try and stop the man vs. machine cycle.
I would have been just fine not knowing what happened to Tyrol (live out his existence in misery in the North on some island (Iceland? England? Greece?). His character got a proper send off when he killed Tori after the discovery of her murder of Callie. We all knew Tigh and Ellen were eternal lovers, we didn’t have to have Ellen tell us that, did we? Are we that stupid? Yes, Roslin had to have the death scene, her character deserved a final moment, as did Olmos and McDonnell for their performances over the series run (minus Olmos’ multiple collapsing in anguish scenes). It didn’t take an hour to do all that.
Oh, and Starbuck. She was actually an angel (or Jesus? daughter of God?) as were Baltar’s Six and Caprica Six’s Baltar. I was squarely in the Starbuck is Daniel’s daughter camp, and really there’s no reason to disbelieve that now given her vanishing act, despite Ron Moore saying she isn’t. Well, he offers us not much either way. Ah, the mysteries that will remain a mystery until the 2nd BSG movie.
For a show that constantly patted itself on the back for being risky and cutting edge, it went out on the most conventional of notions, and answered all the mysteries it raised by simply reconfirming a belief that most people, at least in this country, closely hold. It’s all a part of God’s plan and there are angels to guide us, show us the way.
If a show was going to go so far to create a universe with its own unique questions, those questions deserved a much better answer. Moore thinks the final “twist” of the show was that everything turned out OK. No, Ron, given the show’s trajectory we really didn’t think they would all die. Even if they did, there would be some sort of pseudo-mystical event, like the Five being resurrected or Starbuck and Adama surviving to become Adam and Eve. The final twist turned out to be completely conventional and really uninteresting. It’s pretty common for speculative fiction to punk out when dealing with religious issues and tell us, “There’s something out there guiding us, we don’t understand it, though, so it’s best we not try to explain and leave it up to the viewer.” Oh, take a stab at it, why don’t you?
Things I Hated about BSG:
Of least importance to many, but of a bit more significance to me was the inclusion of people of color in the cast and the way they were handled. Please note that the title of this post is NOT Ron Moore is a racist or anything so keep your powder dry. BUT, of those cast members of color with regular roles, all were women. Most all initially were sexual objects for the almost completely White male cast. They never began to express themselves as characters until they hooked up with one of the dudes or committed some act of violence. Yeah, I know, that was ALL Starbuck did, basically, until she “died.” Still, despite having a woman president (and gays in the military) I found this not very forward thinking.
It’s important to Sci-Fi because people of color generally have been handled rather poorly within the genre. The Star Trek generations have been the notable exceptions of course, but that seemed to be part of Rodenberry’s mission. Does Moore get a pass because he kicked it with Avery Brooks and Michael Dorn? Made Olmos, one of the hardest Latino brothers – politically at least – out there Admiral? I dunno. Maybe.
The Whole Starbuck/Lee Adama relationship. Bamber and Sackhoff never seemed to have strong chemistry. Nor did Sackhoff and Trucco. Nor did most of the other on-ship couples, really. It’s not easy to create on screen chemistry when people are getting together seemingly on the writer’s whims. But the Starbuck/Adama relationship was supposed to be part of the engine driving the damn thing.
The fake pretentiousness. We remember what the world was like pre-Obama don’t we? If you don’t, go and listen to The Roots – Game Theory, the last 4 tracks. You’ll feel it. Anyway, BSG came up when we were all in the thick of it, and even Limbaugh was depressed because he didn’t have anyone in the White House to really despise. NINE-ELEVEN was still an effective battle cry, and some were still thinking about placing Arabs in concentration camps.
The show was supposed to reflect OUR TIMES; dark, at war, on edge, broke as a joke. And at first it sorta did, then when they found New Caprica it kinda did, then as BSG seemed to become a Lost clone the thing started tipping over, getting away from character and into the NEXT SHOCKING TWIST. The only time when the series effectively spoke to OUR TIMES was Lee Adama’s speech at Baltar’s trial about justice. He pretty much summed up not only the attitude of the Bush administration but the attitude of a lot of people at the time.
Granted, most of the time the producers talked about the show being about character rather than plot (which mostly went out the window when the Final Five stuff began). Still, there was plenty of room for the show to be relevant.
Things I Will Remember:
The cast: Callis, Hogan, Olmos, McDonnell, and yes Bamber and Sackhoff were generally on point, perhaps those last two less so, which I think was a function of their character’s roles as the Mulder and Scully of the ship. Aaron Douglas (Tyrol) came on strong once the New Caprica episodes began. Stockwell’s appearances on the series were always welcome, especially his first episodes and his last. And can’t forget Mark Sheppard as Romo.
The ship: I loved that ship design as a kid, and the redesign was one of the improvements of the “reimagining.” The design, the effects, for a TV series it was all well done.
In the end, BSG doesn’t rate in best all time TV series. I wouldn’t place it in the top five sci-fi/speculative fiction series. But when it was good, Baltar’s trial, the first half of the final episode, it was really good.